Without the network of connections that result, we, as solitary individuals, are pathetic, innocuous, blank, weak, incapable of defending or even taking care of ourselves. A flash of pathos. And yet, one of the great pleasures for a visitor comes from gaining competency in the everyday life (free-ranging repetition) of the strange, new, foreign place he or she is visiting—discovering where and how to get groceries, mastering the public transportation system, figuring out how to use the bathing and toilet facilities, etc. My Life by Lyn Hejinian. Now, for the first time, we have the pleasure of listening in. Come into that moment, meant to make the world happen, take place differently. ), it might consist of 1,000 poems; more likely of 310 or a few more of them (the number she had … Wendy Xu is the author of the poetry collections Phrasis (Fence, 2017), winner of the 2016 Ottoline Prize, and You Are Not Dead (Cleveland State University Poetry Center, 2013). We can reason our way onto a path of expectancy, but given nature's oblivion such reasoning, she argues, is fantastically imprecise. We animalize them, so that we can turn them loose, unleashed, except in the case of drought, an ongoing devastating non-event. Her poetry is characterized by an unusual lyricism and descriptive engagement with the everyday. In whatever one does, one deploys or proffers or expresses or articulates or displays both conscious and unconscious style. Here are some of the many useful instruments of a late November day around the Thursday of Thanksgiving: baster, bed, belt, blanket, book, boots, bra, bread board, broom, bus, candlestick, carving knife, cash, cell phone, chair, Clingwrap, coat, coffee maker, colander, comb, computer, deodorant, desk, dishwasher, doorknob, dust pan, envelope, faucet, file folder, garbage can, glass, glasses, gravy boat, hairbrush, hair dryer, hand lotion, jar, key, knife, mouse, mug, notebook, paper, pen, pencil, pie dish, pillow, plate, platter, postage stamp, pot, printer, radio, rake, refrigerator, roasting pan, rolling pin, shampoo, shirt, shower, sink, skillet, skirt, soap, socks, sofa, spatula, sponge, spoon, stapler, stove, sweater, table, toaster, toilet, toothbrush, towel, umbrella, underpants, waste basket, watch, wine glass. Connectivity is the advantage humans have over happenstance. This addition isn't her major philosophical innovation. Become a member today », Transverso, part of 100 Years of Athos Bulcão at the Centro Cultural Banco do Brasil, Belo Horizonte (photo by Elisa Wouk Almino / Hyperallergic). Lyn Hejinian is the author of numerous books, the most recent of which is The Unfollowing.She teaches at the University of California, Berkeley, where her academic work is addressed principally to modernist, postmodern, and contemporary poetry and poetics, with a particular interest in avant-garde movements and the social practices they entail. Her groundbreaking book of poetry, My Life, published by Sun & Moon / Green Integer, has had five re-printings from 1980-2002. But they become my responsibility. I’m subject to myriad objects. With Barrett Watten, she is the co-editor of A Guide to Poetics Journal: Writing in the Expanded Field 1982–1998, and the related Poetics Journal Digital Archive (Wesleyan University Press, 2013/2015). Poet, essayist, translator, and publisher Lyn Hejinian is a founding figure of the Language poetry movement of the 1970s and an influential force in the world of experimental and avant-garde poetics. Her poem My Life has garnered accolades and fans inside and outside academia. Interrelated objects, producing occasions and prompting responses, can assemble into riddles. for every idiocy perfection of the abstract sea, The Hard-to-Find Chapbooks of Geoffrey Young. Lyn Hejinian (born May 17, 1941) is an American poet, essayist, translator and publisher. We are not talking about oblivion here, nor safety, nor domesticity, nor the familiar; interiority is much more likely to present one with troubles. in rectangles of unaffiliated violet Our poetry editor, Wendy Xu, has selected an excerpt from Lyn Hejinian's forthcoming "Positions of the Sun" for her monthly series that brings original poetry to the screens of Hyperallergic readers. Her autobiographical poem My Life, a best-selling book of innovative American poetry, has garnered accolades and fans inside and outside academia.The Language of Inquiry is a comprehensive and wonderfully readable collection of her essays, and its publication promises to be an important event for American literary culture. In the world Hejinian unfolds, context, our surround sound, can exist for itself alone. Now and then within the circuitries of communication the volume of noise increases, sometimes aspiring to cause interference, sometimes aspiring to overcome it. Extract. She is the author of over 25 volumes of poetry and critical prose, the most recent of which is The Unfollowing (Omnidawn Books, 2016). As he sings, he gains something: weeping—he weeps. That comes with the ways in which she sets every idea, feeling, variety of situatedness into motion. 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